Every week Netflix adds a great new selection of movies to its already extensive back catalogue. That means many of us spend our first hour or so of downtime scrolling through anything and everything the service has to offer. But often the dilemma of too much great stuff to choose from (also known as ‘decision fatigue’ in psychology circles) leaves us feeling fed up.
That’s why in an attempt to cure what we’re calling ‘Netflix fatigue’ once and for all, we’ve created a huge guide to the best movies on Netflix UK right now. It’s packed full of our pick of the top films that you should be streaming over the next week or so.
Hurrah! No more endless scrolling and no more movie-induced anxiety that you’ve made the wrong choice when it’s far too late to turn back.
Anyone who’s been signed up to the service for more than a few months will know there are plenty of mediocre movies on Netflix. But if you only have time for the best of the best, don’t waste precious minutes searching through the streaming site’s extensive and, let’s face it, exhausting library. Instead, delve straight into this guide.
We’ll be updating this cinematic hall of fame at least once a week, so be sure to keep it bookmarked so you can find out what’s hot and ready to be watched on Netflix in the UK right now.
[Update: This week Netflix has added two remakes (or is it reboots?) the female-fronted Ghostbusers (2016) and the Josh Brolin-fronted version of Park Chan-Wook’s dark and chilling Oldboy. Sure you might think it’s nothing short of sacrilege to do over these two classics, but they’re both pretty enjoyable, whether you’re after fun ghost-fuelled action or a creepy thriller.]
The best movies on Netflix
To make life even easier, we’ve divided our 150 movie recommendations up into categories to suit every taste. We’ve got indie and thriller through to kids and documentaries.
Be sure to keep checking back. Unlike its TV output, which seems to stay on Netflix for longer, movies on the streaming site tend to appear and disappear quickly. Enjoy!
Want to know more about Netflix’s take on binging? Here’s what we found out when we visited Netflix HQ:
- If you are a TV fan, then check out our best shows on Netflix feature.
- Check out what the rivals are up to with the best movies on Amazon Prime
- Best Netflix sci-fi movies: fantastic films to stream on Netflix and Amazon now
- Best horror movies: scary films to stream right now
- Our weekly guide to upcoming things on Netflix
We know, we know, it sometimes doesn’t feel quite right when a cult classic like OldBoy gets remade. Especially one that’s been so popular over the years because it’s so surreal, dark and chilling. How do you even begin to remake that sense of dark, skin-crawling unease? Well, Spike Lee gave it a good go in 2013. Josh Brolin plays the lead character, who is kidnapped and imprisoned for 20 years and then goes on a mission to find out why. Not for the faint-hearted, it’s a decent remake, but as you’d expect didn’t excite critics or gain cult status like Park Chan-Wook’s original.
We don’t really need to tell you the synopsis of the 2016 Ghostbusters reboot, do we? A load of paranormal enthusiasts/hunters all come together to stop an otherworldly threat. You know the drill. The great bit about the 2016 remake is it’s a female-fronted ghostbusting team, featuring comedians and actors Kristen Wiig, Melissa McCarthy, Leslie Jones and Kate McKinnon. Critics were pretty divided when this version came out, with many praising the fresh approach but not being too keen on some of the story and script. Then again, it was always going to be near impossible to create a story so similar to the original.
Shane Black is never someone to play the Hollywood game. Starting off as a hotshot writer – he penned Lethal Weapon at a ridiculously young age – he went into obscurity, only to come back with Kiss Kiss Bang Bang and cement his relationship with Robert Downey Jr. This then pushed him into the director chair for Iron Man 3, which was a great choice. Fun, overblown and with a surprising twist – it’s delicious fun.
Not every superhero movies takes itself too seriously. Deadpool is the poster child for irreverent superhero fun. Ryan Reynolds plays the lead, a slightly mad, katana-wielding character who blurs the line between hero and villain. It’s the jokes we’re here for, though. And a lot of them packed in.
This South Korean action movie is about Sook-hee, a trained assassin with a thirst for revenge who uncovers secrets about her dark past. Not one for the faint-hearted, Sook-hee leaves a trail of gore, violence and plenty of bodies on her quest. It’s been applauded for its action choreography and has been described as Kill Bill meets La Femme Nikita.
Not every Marvel film is about superheroes with otherworldly powers. Guardians of the Galaxy’s lead Peter Quill (Chris Pratt) is closer to Han Solo than Superman. He’s a law-breaking rogue, not a saviour of civilisations. The result is a film with more of a sci-fi inflection than other Marvel adaptations. It’s packed with humour too. You don’t have to care about comic book lore to get on-board with this blockbuster.
This star-studded war film features Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Peña, Jon Bernthal and Jason Isaacs, and follows US tank crews in Nazi Germany during the last days of World War II. Based on real experiences by the crews of these machines, Fury is a powerful and moving account, that was very well received by critics and audiences alike.
Nobody expected Mad Max: Fury Road to be as good as it was – given it was stuck in development hell for ages – but it’s one of the boldest, bravest chase movies ever made. Tom Hardy is superb as the monosyllabic Max. But it’s Charlize Theron’s Furiosa who steals the show – a true modern day badass. Director George Miller decided to do most of the action in-camera and the results are utterly spectacular.
A biographical war drama directed by Mel Gibson, Hacksaw Ridge tells the true story of conscientious objector Desmond T. Doss (Andrew Garfield). Despite refusing to bear arms through his service during WW2, Doss won the Congressional Medal of Honor and adoration and respect of his peers for his bravery and selflessness in the conflict.
Ridley Scott’s bombastic tale of US soldiers caught behind enemy lines when their helicopter crashes in Somalia is frenetic and relentless. You’ll have as much fun watching it as spotting the young actors who you kind of know but don’t know – including Hugh Dancy, Ioan Gruffudd and Ewen Bremner. It’s a bit jingoistic and the bloodshed is sometimes over the top but it’s a superb watch.
A masterpiece in both filmmaking and fight choreography, Ang Lee’s superb Crouching Tiger, Hidden Dragon tells the tale of a Chinese warrior who steals a sword off of a master swordsman and the cat-and-mouse chase that ensues. Chow Yun-Fat may have been the star of the movie when the was first released, but it is Michelle Yeoh and Zhang Ziyi that steal the show. A follow-up was produced by Netflix, which is worth a watch but has none of the charisma of its enigmatic predecessor.
Quentin Tarantino’s bloody brilliant kung-fu opus should have been one big movie. But its distributors got cold feet, which meant we actually got two quite different films. The first is pure Shaw Brothers schlock. A revenge tale that follows Uma Thurman’s Bride looking to kill people on her hit list, for murdering her husband and family on her wedding day and leaving her for dead. The second film is a touch more subdued, but no less brutal – starting with a flashback of the infamous wedding and then furthering The Bride’s mission to ‘kill bill’. If you can, watch them together as it’s an epic movie that should be consumed in one sitting.
Saoirse Ronan plays a teen assassin, who has been trained relentlessly in the Finnish wilderness by her ex-CIA dad, played by Eric Bana. She’s tracked down by a CIA agent, played by Cate Blanchett, who seems hellbent on killing her. Well, unless Hanna can do it first.
After the brilliance of Skyfall there was a lot riding on Spectre to keep the quality levels of Bond high. Unfortunately, it doesn’t do that. Spectre is rushed, overblown and full of twists that don’t particularly work. But even at its worst, it’s better than most action movies around at the moment. Daniel Craig is, as ever, brilliant as is Léa Seydoux who has more about her than the usual paper-thin token femme fatale. There’s also a barrage of lovely throwbacks from the Bond of old, including a superb intro that smacks of Live And Let Die.
It may be the fifth Mission: Impossible but it’s definitely one of the best. Tom Cruise is back as Ethan Hunt, the secretive IMF operative who is tasked to save his agency as a rogue one is hell-bent on destroying it. Christopher McQuarrie was a great choice for director and while news that he completely reshot the ending of the movie was a worry, it’s lack of bombast is a perfect balance to a film that’s filled with thrilling set pieces. Also, Rebecca Ferguson is by far the best female lead the franchise has had so far – we’re glad she’s been cast in the next instalment too.
With a script by word genius William Goldman and George Roy Hill at the helm, Butch Cassidy And The Sundance Kid is a wonderful watch. Paul Newman and Robert Redford ooze screen chemistry as the titular pair and the soundtrack by Burt Bacharach is lovely on the ears. It’s funny too – mixing both buddy movie and Western tropes with fantastic results.
Focused around a turf war between rival street gangs, The Warriors is an achingly cool cult film. It showcases ’70s New York in all its filth and fury and while its focus is on gang fighting, the film never comes across as an exploitation flick. This is because it’s shot with such style and flourish by director Walter Hill that 37 years on, it’s still as pertinent as ever.
Oh, Paul Verhoeven how we’ve missed you. Elle brings back everything the director is famed for – controversy, satire and, well, more controversy. Elle sees the fantastic Isabelle Huppert play a businesswoman who is raped and decides to exact revenge on her rapist, except she doesn’t know who it is. Elle never goes the way you think it’s going to go and, despite the subject matter, is genuinely funny in places. It’s occasionally a tough watch but doesn’t offer the gratuity that some of Verhoeven’s other films are famed for. It’s Hupert here that makes the movie. She is subversive and simply superb.
Beach Rats follows the story of Frankie, a teenager with a girlfriend and a seemingly ‘normal’ life who secretly meets up with older men to have sex and take drugs. He doesn’t identify as gay or bisexual to his partner, friends or family. So this is a very powerful yet somehow dream-like look at his adolescent turmoil as he learns more about himself, the world and his sexuality.
Some of the themes of the movie, as well as the visual aesthetic, have been compared to the likes of Moonlight and Beau Travail, so if you were a fan of either or both of those films then give this a watch.
Starring Greta Gerwig, Ethan Hawke and Julianne Moore, the story follows Maggie (Gerwig) who has decided she wants a baby and wants to raise it all on her own. But everything goes a bit wrong when she falls for John (Hawke) who is married to, you guessed it, Moore’s character Georgette. A complicated, at times funny and emotional love triangle ensues.
This is a wholly different Spike Lee movie than what he had made before and that’s what makes Inside Man feel so fresh. It’s a fast-paced, witty genre movie that sees Lee at his most accessible. Some of Spike Lee’s best cinematography can be seen in this movie and while Clive Owen never really gets into his stride, he’s still superb as a bank robber. It’s Jodie Roberts who steals the show, though – she’s utterly mesmerising every time she’s on the screen.
An original Netflix film, Kodachrome follows the story of Matt, played by Jason Sudeikis, and Ben, played by Ed Harris, and estranged father and son duo who embark on a road trip joined by Ben’s assistant, played by Elizabeth Olson, to the last place to develop Kodachrome film in the US – a small photo shop called Dwayne’s Photo in Kansas.
The Social Network is a biographical drama about the rise of Mark Zuckerberg and the early days of Facebook, as lawsuits, controversies and various other problems rolled in on the journey to it becoming a household name.
There’s been some controversy about the movie, especially considering Zuckerberg and no one else from the Facebook team were involved in its making. But it received many highly positive reviews, which is down to all aspects of the movie, from the performances from the cast through to David Fincher’s directing and Aaron Sorkin’s compelling script.
This generated a nice bit of buzz at Sundance and for good reason: Bad Day For The Cut is a grim, gripping Irish thriller about a farmer looking to avenge the death of his mother. First-time Writer/Director Chris Baugh knows how to ratchet up the tension and it certainly knows how to hit some nasty notes. Yes, you’ll probably guess where things are going to go, but it’s still a decent watch.
Personal Shopper is a strange, but captivating movie. It shows off the acting prowess of Kristen Stewart who is superb as an American ‘personal shopper’ living in Paris who caters to the needs of an infuriating supermodel. And it just so happens, Stewart’s character is also a medium who starts to interact with what she believes is her not-long dead brother. Personal Shopper is one movie which doesn’t let you really know what it wants to be until the end – and that is what makes it great.
American Graffiti is a classic coming-of-age film with a host of stellar Hollywood names behind it including George Lucas, Harrison Ford, Richard Dreyfuss, and Ron Howard. Set in early 1960s California, the film tells the separate stories of a group of recent high school graduates and the rock and roll culture that defined them through a series of vignettes.
Mudbound proves that Netflix is getting serious with the movies it is producing. This superb ensemble drama focuses on two brothers (Garret Hedlund and Jason Clarke) back from the second World War and the struggles they face adjusting back to ‘normal’ life. The film pulls no punches when it comes to tackling racism and sexism, both rife in 1940’s Mississippi, but layers these heady issues with a fair amount of levity and brevity. The cast are superb – Better Call Saul’s Jonathan Banks is riveting as always but Jason Mitchell is standout here – but it’s the tight script and wonderful, sweeping direction by Dee Rees that makes this movie truly and Oscar worthy.
It’s rare that Tom Cruise gets upstaged in his movies but that’s what happens in Rain Man. This is because Dustin Hoffman puts in a performance of a lifetime as Charlie’s (Cruise) autistic brother Raymond. In the film we see Hoffman recite dates of airline crashes when he doesn’t want to fly, and this brings the brothers on a road trip after their father passes away. Cruise’s character in unlikeable for the most part but his softening to Hoffman’s Raymond is a beautiful watch – sometimes hilarious, sometimes tender.
Director Adam McKay was known for creating big belly laughs before The Big Short came out. And that’s what makes this movie such a surprise. It is funny in places, but it’s also a super-sharp look and – shock, horror – endlessly entertaining look at those who betted big the the housing bubble in the US would burst in the mid 2000s. Filled with fantastic characters (played by Brad Pitt, Christian Bale, Ryan Gosling and Steve Carell) and a superb script, this is a must see.
Inherent Vice is a fantastic film but one you may want to watch twice to figure out just what is going on. Director PT Anderson – this is his best movie – tries to make sense of Thomas Pynchon’s opaque novel, about a stoner detective trying to figure out the disappearance of his ex-lover’s lover. Nothing makes sense in the movie. It’s covered in a fog of weed and hallucinogens, dripping in Californian sunshine and swathed in seediness. Don’t try and unpick it too much and you will be rewarded with a brilliant, beguiling watch.
This shouldn’t have worked. The manic tale of how NWA came to be may well be larger than life but in the wrong hands it could end up being cartoonish. On the whole, Straight Outta Compton manages to avoid this thanks to director F Gary Gray who also created the brilliant Friday. Casting for Compton is inspired. O’Shea Jackson Jr does a great impression of his real-life dad Ice Cube, but it’s Corey Hawkins that steals the show of Dr Dre. Perhaps the weakest link is Paul Giamatti as Jerry Heller but it doesn’t detract from what is one of the more entertaining biopics in recent years.
Dope was a revelation when it was released in 2015. Part coming-of-age drama, part hip-hop homage, the movie is about a group of teenagers who go to a party and end up tangled up in drug dealing. While that sounds all very gritty, the film plays it for laughs more than often, punctuated by moments of drama.
The movie may now be parodied beyond belief but The Breakfast Club is still a fun watch. It’s an ‘80s movie that’s so ‘80s it should come with its own shell suit. The premise is simple: a bunch of kids are put into detention one Saturday, dubbed the Breakfast Club. They’re all a different stereotype – geek, jock, the pretty one, the angry one – and seemingly have nothing in common but it turns out they have everything in common. Yes, it’s cheesy but you can’t help but smile as the kids ‘find themselves’ to the tune of Simple Minds.
This is one of the most affecting movies that you will ever see. Based on the true story of Oskar Schindler, a factory owner who begins to help his Jewish workers during World War II after he sees them persecuted by the Nazi Germans, the movie is a study in brevity. Steven Spielberg manages to find the human stories in the atrocity of WWII without shying away from the true horror of what happened during the conflict.
A heartfelt and considered look at Martin Luther King Jr’s struggle to gain equal voting rights, campaigning in racially-charged Alabama, Selma was one of the finest films of 2014 and was rightly nominated for a Best Picture Oscar as a result. It may have missed out on the top gong, but David Oyelowo’s performance as the civil rights leader is a powerful one, with a supporting cast recreating the inspiring story with great respect.
The Virgin Suicides is a woozy homage to movies such as Picnic at Hanging Rock and Don’t Look Now. Fractured in its storytelling, dreamlike in its visuals it’s an assured debut by Sofia Coppola. Based on the best-selling novel, the movie charts a spate of suicides in a small town and the cast is lead by the mesmerising Kirsten Dunst.
Captain Phillips is a masterstroke of suspense. Directed by Paul Greengrass – the Bourne franchise king – it’s about the true story of a 2009 hijacking of a US container ship. By showing the hijack from both points of view – the captain’s and the Somali pirates – the film humanises what is a complicated, horrific hostage situation.
Don’t let the title or, for that matter, the plot put you off, Warrior is a fantastic movie, centred on two brothers who find redemption and solace in the biggest MMA tournament ever held. A superb script and superb performances from Tom Hardy and Joel Edgerton as the brothers and Nick Nolte as the alcoholic father, make this a must see.
This study of the Holocaust is something we haven’t seen before. It’s from the point of view of someone who was forced to burn the bodies in Auschwitz who comes across a boy that, he believes, deserves a proper burial. Son of Saul is a hard watch. It’s about a time that’s filled with despair, but director László Nemes tells the tale so well that it makes for utterly compelling viewing.
Not only did Network spawn one of the greatest lines shouted in a movie – “I’m as mad as hell, and I’m not going to take this anymore!” – it also shone a light on US network television and its constant push for higher ratings. The plot is great: longtime anchor Howard Beale finds out that he is about to get fired, so to drive ratings he announces he will commit suicide on air. What ensues is a harsh look at TV that’s still prescient today.
Nicolas Winding Refn is one of the most divisive directors around and he’s not looking to change that with The Neon Demon. Like Only God Forgives and the slightly more accessible Drive, Neon Demon is stylish, blood soaked and, well, cold. It features a fantastic central performance by Elle Fanning and never compromises – this makes for a difficult but ultimately rewarding watch.
All geniuses have to start somewhere and this was where director Richard Linklater made his mark (Slacker got him noticed, Dazed made him one of the best directors around), with a movie that showed off the birth of slacker culture by following the last day of the school year in 1976. It flits between stereotypical characters of the cool one, the jock, the stoner but digs a whole lot deeper than any John Hughes movie. Great stuff.
Anyone who doubts the acting caliber of Tom Hardy needs to watch Bronson immediately. Directed by Nicolas Winding Refn who found fame with Drive and the divisive Only God Forgives, Bronson is a fragmented, surreal look at one of the UK’s most famous prisoners, Charles Bronson. Hardy commands the screen as the titular inmate, bulking on the body mass and belting out charisma and chaos in equal measure. It’s not for everyone, thanks to its obscure storytelling, but this is a unique film and one that demands your attention.
Pulp Fiction is Quentin Tarantino at his finest. Endlessly quotable and always a refreshing watch, Tarantino re-invents what a crime movie should be. He does this be interlocking seemingly unrelated stories in a non-linear way, riffing on pop culture and breathing new life into old actors – including John Travolta, Bruce Willis and Samuel L Jackson. This film deserves all the accolades it’s garnered over the years. It’s just a shame Tarantino has never bettered it.
It may feel a little dated now, but Fight Club was the epitome of male angst when it was first released. It’s an angry movie, with work and consumerism in its sights but it’s also a brilliant one, thanks to David Fincher’s knack of taking the novel and transposing it menacingly to the big screen. Brad Pitt has never been better as Tyler Durden – his role making you want to talk about Fight Club, instantly breaking the first rule.
Okja is a fantastic movie that proves Netflix really does know what it’s doing when it comes to commissioning films. Made by Bong Joon Ho, one of the greatest directors around, the film is the strange tale of a little girl and her best friend, a giant animal called Okja. The friendship is threatened when a CEO (a superb Tilda Swinton) wants to take Okja for nefarious means. The whole movie may well be an ode to animal activism but it’s such a refreshing movie that you don’t mind it preaching to you on occasion. Now you have this on-board Netflix, can you please grab the UK rights for Snowpiercer – another superb Bong Joon Ho movie that never saw the light of day in Britain.
This is a movie that was close to not being made. Just as shooting began, funding was pulled and it means that star Matthew McConaughey may have had to drop out, as he needed to put all the weight on he had lost for playing Ron Woodroof, an electrician diagnosed with Aids. Money was found, though, and we’re glad it was as this is a sometimes harrowing but strangely uplifting account of someone who goes to the extra mile to get their hands on an experimental Aids drug that can lessen the effects of the disease. McConaughey is fantastic as the makeshift drug runner while his partner in crime is Jared Leto as Rayon, a trans woman who helps him on his journey. Despite the budget cut, there was Oscar nominations aplenty for the film with it winning Best Makeup. Considering the makeup was done on $250 budget, this is an impress feat.
Some Like it Hot is a classic, and for good reason. Winner of numerous Academy Awards and Golden Globes, and featuring three of Hollywood’s greats at the top of their game, it’s a hilarious movie, with unforgettable central performances.
After witnessing the Valentine’s day massacre, two male musicians try to escape town in disguise, as women.
If you’ve never watched it, treat yourself. If you have, you don’t need any convincing to watch it again.
This laugh-out-loud, yet totally heart-warming, comedy from Judd Apatow is perfect for easy Sunday watching. It’s about a TV presenter, played by Katherine Heigl, who has to navigate the tricky ins-and-outs of having an unplanned pregnancy with the unemployed and kinda immature Ben, played by Seth Rogen.
If it didn’t suffer from Paul Feig’s ‘I have no idea how to finish a movie so I’ll just let it run out of steam’ Funny People would be seen as a classic. Unfortunately it does do that but it also sees Adam Sandler in reflective mood as a comedian facing a terminal illness. Sandler sends up brilliantly an actor who chooses some of the worst roles known to man. Unfortunately, after this movie he also decided to start making the same sort of movies he ridicules in Funny People.
Stanley Kubrick’s 1964 satirical dark comedy classic has landed on Netflix. This dark comedy explores the fears around the Cold War between the US and Soviet Union, and the threat of impending nuclear disaster.
Directed, produced and also co-written by Kubrick, the story centres around a US Air Force general who decides to order a nuclear attack on the Soviet Union. It then follows the action of a bomber after it’s set off, as well as the heated debates about calling off the whole operation before the general brings about the end of the world.
Okay, so it might not be the light and easy watch you were looking for on a lazy, hungover Sunday. But it’s a classic that’s one of Kubrick’s best.
The World’s End is the worst of the Cornetto Trilogy but that’s only because the other two are the superb Shaun Of The Dead and Hot Fuzz. The premise is great: Gary King (Simon Pegg) gets his old friends together to relive a pub crawl of their childhood. The only problem is, everyone has grown up into self-respecting adults except him. But none of this matters when the group of lads get themselves into a very strange situation. Full of fantastic sight gags that made Baby Driver the success it was, The World’s End doesn’t quite hit the high notes it should but it has a lot of fun trying in the process.
What a brilliant film. Pride manages to weave ‘message’ with entertainment effortlessly, charting the true tale of gay rights activists in the UK that help raise money for a small mining town when the strikes are happening. There’s superb performances by all but it’s the ever-brilliant George MacKay whose standout.
Looking for a great crime thriller that’ll make you laugh? You’ve found it. Robert De Niro stars as Jack Walsh, a bounty hunter who’s offered $100,000 to bring in mob accountant Jonathan Mardukas (Charles Grodin). What starts out as a simple job gets complicated very quickly.
The plot for this one is fantastic. It’s a road movie centred around two teenage bike thieves who go on an adventure after they get word that seven tonnes of cocaine has been shipwrecked off the coast of Ireland. Their plan is to get some of it and sell it for a better life. This is one of the funniest comedies to come out of Ireland for a while. It’s got a distinct Adam & Paul feel but is thankfully a bit lighter. Young Offenders is a coming-of-age story with oodles of charm.
A classic Jim Carey comedy, Ace Ventura Pet Detective follows a PI who specializes in missing animals cases. When the mascot for the Miami dolphins goes missing he’s in for the case of his life. Expect a madcap adventure with a lot of energy and laughs.
Richard Linklater’s latest is a bedfellow to Dazed and Confused. Instead of the ’80s, though, the ’70s is used as a backdrop instead and the focus here is very much what it is like to be a boy growing up into an adult. As with most Linklater movies, not much happens in the movie but the characterisation is so spot on, that it really doesn’t matter.
One of the best films you probably missed in 2016, The Nice Guys is cult director Shane Black at his best. Achingly funny and whip-smart, too, the film is about a private eye and a heavy in the ’70s and the shenanigans they get up to. While Black went full Hollywood with Iron Man 3, The Nice Guys sees him back where he belongs – among the indie elite.
A cult comedy horror made in the same vein as Shaun of the Dead, Tucker and Dale vs Evil is a whole lot of fun. Hillbillies Tucker and Dale head out to a cabin in the woods for a vacation and, well, all horror breaks loose. With barrels of laughs and buckets of blood, don’t expect award-winning performances but it’s a lot of fun.
Joe Dante perhaps doesn’t get the credit he deserves as a filmmaker. His movies always err on the right side of subversive anarchic fun, and The ‘Burbs is no exception. Starring Tom Hanks as part of a neighbourhood watch that have suspicion that the new neighbours that just moved in are killers, the film manages to keep you guessing right up until its fantastic twist. Yes, it’s ridiculous, but The ‘Burbs is ever watchable and will remind you fondly of the films you used to watch growing up (if you’re a child of the ’80s that is).
The Coen Brothers have made many a classic movie, but The Big Lebowski is their crowning achievement. The plot is based on a mistake: The Dude (Jeff Bridges) just so happens to have the same name as someone who owes money to the mob. This mistaken identity leads The Dude and his ragtag group of friends deep into the belly of the LA underworld. Endlessly quotable and hugely enjoyable, there is no other film like it.
The Hunt For The Wilderpeople is a fantastic comedy from New Zealand director Taika Waititi. It’s a movie about Ricky, a kid who’s been passed through the welfare system and his relationship with Uncle Hec – someone who didn’t completely agree with having a foster child – and the unexpected whirlwind adventure they have together. Adult themes of loss, hope and love are seen through a child’s eyes which makes for some hilarious and sometimes poignant moments. The film was such a success it brought Waititi’s talents to the attention of Marvel, who have snapped him up to direct Thor: Ragnarok.
40 Year Old Virgin is pretty much what it says on the tin – a comedy about a man (Steve Carrell) who has yet to understand the joys of sex and whose life is centred on his love for videogames and collectable action figures. Which is nothing like any of the TechRadar team, I can assure you.
One of the finest comedies, featuring one of the finest comedy performances from Bill Murray. One of the finest comedies, featuring one of the finest comedy performances from Bill Murray. One of the finest comedies, featuring one of the finest comedy performances from Bill Murray. One of the finest comedies, featuring one of the finest…
Feel-good fun oozes from this movie, which is loosely based on the life of English ski jumping underdog Eddie ‘The Eagle’ Edwards. While Hugh Jackman is the star power that got this film off the ground, it’s Taron Egerton as the titular character that steals the show. Directed by Dexter Fletcher, he manages to find enough story and sprinkle in some fantasy to create a wonderfully warm watch.
Sing Street’s John Carney plays a familiar tune with his movies: they are essentially musicals that are fine to watch if you’re not into musicals. But while Once was great but maudlin and Begin Again was okay and maudlin, Sing Street is fantastic. Centred round a bunch of Irish kids in the 80s who want to start a band, it’s a brilliant and fun movie.
Alexander Payne proves once again that he is one of the best directors around with Nebraska, a film that follows elderly Woody Grant (Bruce Dern) who embarks on a 750-mile journey to Nebraska to cash in the supposed winnings of a sweepstake. Nebraska is full of heart but also home truths when Woody arrives back in his hometown after years away.
Clueless is the best teenage-centred movie to come out of the ’90s, which is no mean feat considering how many there were in that decade. The exploits of Cher (Alicia Silverstone) at a Beverly Hills high school spawned a whole host of real-life fashion faux pas, as well as a new line of dialogue that was, well, “totally buggin”.
There are so many one liners and sight gags in Airplane that it really doesn’t matter when a few of them don’t work. The film skewers the many disaster movies of the ’70s with a spoof so funny that it hasn’t really been bettered. The stars of the movie are Leslie Nielsen as Dr Rumack and Lloyd Bridges, chosen not just because of his comedy chops but because he had starred in many of the films that the movie was sending up.
Let The Right One In is a chilling movie set in Sweden. Based on the novel by John Ajvide Lindqvist – the screenplay was written by the novelist – it’s a romance of sorts about two children who become friends after one is bullied. Oh, and one of those children just happens to be a vampire. It’s a more subdued film than the events in the book but all the better for it. It’s a film full of atmosphere, fear and, well, romance.
Based on Bret Easton Ellis’ tale of greed, capitalism and serial killing, this 2000 dark comedy-meets-horror flick has a stellar cast, including Christian Bale, Reese Witherspoon and Willem Dafoe, among many others. It won’t be everyone’s cup of tea, but it’s a deep and intense rollercoaster ride through sprawling monologues, 80s pop tunes and murder.
Martin Freeman stars in this Australian post-apocalyptic thriller that’s based on a short film of the same name. It’s about a world overtaken by a zombie virus and a husband and wife who are trying to survive with their young daughter. They’ve managed to stay uninfected so far because they’ve been living on a houseboat, but as you can imagine, that all changes. It’s been mostly praised by critics, who enjoy its refreshing take on the zombie genre, its emotional depth and Freeman’s performance.
It’s the perfect horror setup: 10 strangers are stranded in a motel thanks to a rainstorm. At the same time a murderer is about to be executed, only for his psychiatrist to make a last-ditch effort to keep him alive. So, how are these two tales linked? Well, that would be telling. Directed by The Wolverine’s James Mangold, Identity may think it’s brainier than it is but at least it’s a whole lot of fun.
Creep was a mini indie marvel when it came out a few years back. Ultra low budget, it starred Mark Duplass and was base on his story about a videographer who puts an ad on Craiglist which leads to some terrifying home truths. In the sequel, Duplass is back and this time he lures someone to his home by claiming to be a serial killer. What ensues is a tense, brilliant low-fi ride.
Joining Stephen King’s Carrie on Netflix comes another classic story from the horror author’s creepy collection: Misery. Bringing the tale of the story, which will be making anyone who has seen it wince right now, straight to your living room. The movie follows a famous author who is rescued from a car crash by a fan. We won’t spoil what happens next, but you can probably guess it’s not exactly the warm, homely kind of recovery you’d expect after you’ve had an accident. It’s certainly not one for the faint-hearted, so prepare to hide behind a cushion for about 50% of the running time.
Francis Ford Coppola’s Bram Stoker’s Dracula is an under-appreciated gem. It uses some old-school cinematic techniques to give the movie a classic feel and it really works – having back projection for some of the special effects offers up a really unnerving look at Dracula. Gary Oldman is fantastic as the titular character. The only let down is Keanu Reeves who is utterly miscast. If you can put up with that, though, then what you have is one of the most lavish horror movies ever made.
The Purge is low budget but brilliantly high concept. The idea is that there is one day a year when the world can go a bit crazy murdering and looting and it’s all completely legal. This makes for a fantastic adrenaline rush of a movie that’s modelled on John Carpenter style 80s heist movies. It’s really good fun, as is a number of the sequels.
Gerald’s Game is one of Stephen King’s leaner novels, with the majority of the action taking place in one room, with one woman (Jessie Burlingame) alone, handcuffed to a bed, after a night of passion goes awry, with just her thoughts, her dead husband, and a number of things that go bump in the night for company. With this in mind, director Mike Flannigan has managed to pull off an adaptation that could have been very one note, by creatively bringing Burlingame’s – a fantastic Carla Gugino – thoughts to life. It’s a bit too melodramatic at times and does suffer from the King curse of never knowing how to properly end his stories, but there’s a lot to like about this Netflix exclusive.
A superb ’80s-tinged soundtrack backs this fantastic film that plays on the notions of teen sex and angst by throwing in an STD that when transmitted passes a curse on. The movies manages to be filled to the brim with dread, even if the premise of the movie isn’t really explained, and is a superb throwback to zombie movies of old, as well as the foreboding Invasion of the Body Snatcher flicks.
Blair Witch, the kind of remake, quasi sequel to the scare classic The Blair Witch Project was a big surprise when it first announced. Director Adam Wingard had made the film covertly with the title The Woods and then when it premiered at San Diego Comic-Con, they announced its link to the Blair Witch story and the crowd went, well, crazy. The film is a worthy addition to the franchise. It keeps the shaky cam stuff but also adds in some modern day twists such as drones and GPS. It takes a while to get going but once the scares start they are relentless.
This super-smart horror from Joss Whedon and Drew Goddard is a movie that tries its hardest to turn the horror genre on its head, with continual knowing nods to movies of the past and a post-modern spin of the well-worn ‘cabin in the woods’ theme. Don’t go into this movie expecting a normal film-watching experience but do expect to have fun watching a highly original script at play.
Thanks to Netflix’s sometimes surprising rights, Under The Shadow has popped on to the service around the same time as the movie’s Blu-ray release. We’re glad it has. It’s a fantastic horror film set in Tehran in the ’80s, focusing on a mother and daughter seemingly terrorised by otherworldly beings in an apartment block. The dread in this film is slow release but palpable, making it a terrific, scary watch.
Given Evil Dead II is a quasi sequel/remake of the original Evil Dead, eyebrows were raised when another remake was announced. Thankfully, the movie is actually decent. Director Fede Alvarez plays the movie straight, piling on the gore and the tension, making for some terrifying moments. It feels like Evil Dead too, thanks to both Bruce Campbell and Sam Raimi coming on board as producers.
This ultra low budget movie comes from the Duplass Brothers and is one of the most inventive chillers in years. The plot is slight, it focuses on a man who answers a Craiglist ad to film what he thinks is a video for the person’s unborn son. And that’s all we will say about the plot as it twists and turns in on itself, terrifying the viewer repeatedly in the process.
Daniel Radcliffe has done well to rid himself of his Harry Potter persona and it’s all thanks to choosing roles in movies such as Women In Black. Based on the celebrated novel of the same name and in turn the stage play, the film is a gothic delight, harking back to the good ol’ days when horror was implied rather than rammed down a watcher’s throat. Well, until the final act at least. Prepare to feel your spine tingle.
Stephen King’s classic tale of the trials and tribulations of high school, fitting in, oh and having extremely powerful telekinetic powers has landed on Netflix, bringing the unforgettable and gruesome bloodbath of the 1976 imagining to the small screen.
Insidious is a film that proves, if you want mainstream horror done right, then you have to call up director James Wan. He brings a menacing atmosphere to this film about a family that moves into a house that’s not what it seems. While it doesn’t quite match up to the scares seen in Sinister – another film produced by Jason Blum – Wan does enough to make sure there’s plenty of shocks to go around.
While the cast may err on the side of mainstream – Kurt Russell, Patrick Wilson and Matthew Fox all star – the plot of Bone Tomahawk does not. Without giving too much away, it’s essentially cannibals versus grizzled men of the Wild West. Russell is superb in this tale that is absolutely relentless and all the better for it.
Hush has a brilliant premise. Directed by Mike Flanagan it revolves around a killer who tries to get the best of a girl in the house on her own. So far so ‘every horror movie ever made’, but the girl who is being stalked happens to be deaf. Yes, the home invasion genre is getting tired, but Hush manages to quietly breathe new life into it.
A forgotten ’70s gem of a horror movie, Let’s Scare Jessica To Death is all soft focus and maudlin music as we follow the exploits of a woman who has just gotten out of a psychiatric hospital. While staying in a country house to recuperate, she befriends a strange visitor. It’s worth watching just for John D Hancock’s dreamy direction.
One of the more high-concept horrors on the list, Would You Rather is about a group of seven people who are invited to a millionaire’s house to play a game of ‘Would You Rather’. The game turns out to be one of the most sadistic around.
While it never quite reaches the perfection its visuals and stellar cast promises, Tomorrowland is a sumptuous watch. A throwback to the old sci-fi adventures of old, the film is based on the Tomorrowland ride at Disney. Cynics would say that the movie is just one big Disney promotion but the movie is better than that. It’s a great story that transcends dimensions – just sit back and go with it.
Alex Garland is a master of sci-fi. He directed Ex Machina, wrote 28 Days Later, and has now directed Annihilation. It has skipped past a wide cinema release, heading direct to Netflix. This sharp supernatural thriller sees Natalie Portman play a botanist investigating a mysterious, and expanding, wall of light in the deep south of America.
Netflix surprised everyone when it revealed it had the streaming rights to the third instalment of the loose Cloverfield franchise, the Cloverfield Paradox, and now it has the original film. Each Cloverfield film is different, and the original uses the ‘found footage’ narrative device to document an attack on New York by a huge alien monster. While the Cloverfield Paradox didn’t quite capture the magic of the original, the first film is definitely worth catching while it’s on Netflix.
Given it was made in 1985, the effects of Back To The Future still stand up today. Actually, so does everything about the movie. It’s a fantastic old-school romp that showcases Michael J Fox as one of the most affable actors around. Spielberg may have only produced the movie but his fingerprints are all over it. Back To The Future is a classic that is endlessly fun and rewatchable.
The effects may look a tad dated now but The Abyss was SFX filmmaking at its best when it was released in the late ’80s. Directed by James Cameron, sandwiched between Aliens and Terminator 2 in his oeuvre, the film is about a diving team looking for a lost nuclear submarine but instead encounter something wholly different. It’s a thought-provoking slice of sci-fi that’s more thriller than action.
The first X-Men was the first in the new wave of superhero movies that proved to the world that you could make an adult movie out of comic-book characters. Director Bryan Singer played on heady themes such as the Holocaust and homosexuality to hook X-Men’s metaphors around, which helped ground the characters and make for a great movie. X2 expands on this and is arguably one of the best superhero stories ever made, introducing Stryker (Brian Cox) as the former Army commander who was key to making Wolverine (Hugh Jackman) who/what he is.
Director Neill Blomkamp’s debut was years in the making. District 9 started out as a short film which showed off Bomkamp’s impressive talent with visual effects and subsequently helped him get the movie greentlit. District 9 is a fun, if on the nose, look at the apartheid in South Africa, it just so happens aliens are the ones that are getting the rough treatment. The film is the debut of Sharlto Copley, who is brilliant as the scientist hiding out in the alien slums.
The original Blade was a fun, gory take on Marvel’s vampiric superhero. But it’s Blade II where the character really started to have bite. Helmed by Guillermo del Toro, the visionary director adds all sorts of weird and wonderful characters into the Blade universe and also introduced Whistler, a true screen badass.
Timur Bekmambetov may be a Hollywood director now, but where his American movies are visually appealing but pretty awful (Abraham Lincoln: Vampire Hunter, the remake to Ben-Hur), Night Watch, which he made in his native Russia, is fantastic. At the time of its release (2004), it was the most successful Russian movie for all time and for good reason. It’s a brilliant, sometimes incoherent fantasy that melds Bekmambetov’s great style with a story that involves modern day vampires that are split into two factions: the night watch and the day watch. Don’t try and understand it, just feast on the surreal, stunning visuals.
In the not-so-distant future, people are ranked, judged and given jobs not based on their abilities and interests, but on their genetic makeup. Gattaca follows the story of a man with less-than-perfect DNA (Ethan Hawke) who is desperate to travel into space, which is a privilege only reserved for the perfect. With the help of another man with 10/10 DNA (Jude Law), he tries to game the system to bag himself a seat on the next mission to the stars. As you’d expect from this clever sci-fi story, there are lots of challenges, problems and interesting twists along the way.
Splitting the last book in the series was a mistake as instead of having one fantastic movie, you instead have two good ones. Mockingjay – Part 2 is by far the darkest Hunger Games movie but it’s well made and a fitting end to the franchise. While there’s not enough Hunger Games style action scenes, the end showdown is worth the wait and elevates the movie above its YA fiction leanings.
The Look of Silence is a hard watch. A sequel of sorts to The Act of Killing – which is sadly not on Netflix – it was created by Joshua Oppenheimer and focuses on a man who confronts the men who killed during the 1965 ‘purge of communists’ in Indonesia in the 60s. He confronts them while giving them eye exams – a ruse to get them to speak. It all makes for uneasy but riveting viewing.
Jim Carey has always been an actor that takes things to extremes – whether it’s his face gurning or physical comedy. But nothing was quite like what he did in Man On The Moon, the Milos Foreman directed biopic of Andy Kaufman. Mixing exclusive interviews and behind-the-scenes footage of Carey that the studios didn’t want released, this is one revealing documentary about the things people do to make people laugh.
Full of hubris that you can only get when a documentary crew gets more than they bargained for (see also: The Jinx), Weiner follows the mayoral campaign of Anthony Weiner only for him to be embroiled in a sex scandal as the cameras are still shooting. And the best bit about it is, the documentary was meant to be about Weiner’s comeback after another sex scandal that happened in 2011. It’s a tough but compelling watch.
Director Martin Scorsese may well be known for his Hollywood productions but he has a decent sideline in rock documentaries. The latest to hit Netflix focuses on George Harrison, knitting together archive footage with interviews and home movies. It’s a warm, revealing portrait of arguably the most talented Beatle and one that came out 10 years after his untimely death.
With nuclear war still a threat today (and a growing one at that), a documentary on how atomic warfare came to be was always going to feel prescient but The Bomb feels like more than that. It’s a full-on assault on the senses that weaves archive footage together to create a non-linear, experimental piece that’s more mosaic than montage, with a message that’s pretty clear: we need nuclear disarmament and we need it now. The Bomb toured the film festival circuit with live band The Acid and was even shown at Glastonbury’s Shangri-La. While it’s no doubt not as potent as it was in a live space, it’s still well worth a watch. And if you need a non-Netflix companion piece, then check out Storyville, Atomic, Living in Dread and Promise by Mark Cousins.
“Metal on metal / It’s what I crave / The louder the better / I’ll turn in my grave.”
Like a real-life Spinal Tap, the story of Anvil, the oft-forgotten heavy metal pioneers is as tragic as it is funny and uplifting. A huge influence on the likes of Metallica and metal’s megastars, Anvil never got to enjoy the success of their peers, resigned to the axe-wielding history books.
Except…Anvil never went away. Continuing to shred on the toilet circuit, the documentary follows the ageing rockers as they make one last attempt at hitting the big time.
Throw up the horns, but keep a hanky at the ready – Anvil: The Story of Anvil is as good as a rock-doc gets.
This doc about the 1999 Columbine High School massacre is a must watch. It’s a frankly frightening look at why the massacre took place and how failings in the US school system and the ease of use guns can be bought in the US were to blame for what happened. Nearly 20 years on, the documentary will still have a profound effect on all who watch it.
The White Helmets is, quite rightly, the winner of Netflix’s first-ever Oscar. It was directed by the only British winner of the 2017 Oscars, too. Orlando von Einsiedel directs this stunning look at the day to day operations of the Syrian Civil Defense, volunteers who assist neighbourhoods that have been bombed, helping find survivors amongst the devastation. It may only be 40 minutes long, but the bravery and tragedy you witness will stay with you forever.
Netflix bagged its first Bafta thanks to this stunning documentary. 13th looks at race and the US criminal justice system, showcasing numerous injustices in the way African Americans have been treated in the system. The documentary was made by filmmaker Ava DuVernay, who also made the superb Selma.
Some Kind of Monster is a intimate look at one of the most successful heavy metal bands ever, Metallica. This unflinching doc focuses on the band as they hit a crossroads – the departure of their bass player. We see a band that’s been together for 20 years talk through their emotions and pain points. By enlisting the help of a therapist, the documentary is a fascinating fly-on-the-wall look at a rock group in group therapy.
One of the most important documentaries of the decade, Blackfish charts the life of killer whale Tilikum, who sadly died recently. Kept in captivity as a ‘performance mammal’ at SeaWorld, the doc explores the unsightly side of why keeping whales in captivity is a terrible idea. Blackfish had such an impact that SeaWorld decided to phase out its orca shows and rebrand itself. Powerful stuff.
This Netflix exclusive documentary is a heart-wrenching look at one of the greatest singers of all time. While the highlights are definitely seeing Simone sing live – there’s a huge amount of never-before-seen archive footage – it’s the eye-opening truths about her troubled life that hit home hardest.
Cartel Land works great as a companion piece to Sicario – found in our Best Thriller list. It’s a documentary focused on the bloody and brutal battle between drug runners on the US/Mexican border and a vigilante group of civilians who have had enough and fight back. Produced by Kathryn Bigelow, Cartel Land is a despairing watch punctuated by some stunning cinematography and a fantastic score.
A movie about chess shouldn’t be this riveting but Bobby Fischer Against The World is a stunning portrait of a man who was one of the best chess players in the world. Featuring interviews from other chess luminaries, such as Garry Kasparov, the documentary looks into the tumultuous life of Fischer who won everything going in the 60s, only to disappear into obscurity for some 20 years.
This documentary may have gained prominence thanks to its DJ Shadow soundtrack, but it’s the subject matter that makes Dark Days such a must watch. Shot and directed by Marc Singer, Dark Days shines a light on those who live in underground tunnels under New York. Criminally, this was Singer’s only foray into documentary filmmaking but at least he created a classic.
At nearly three hours’ long, Hoop Dreams is an exhaustive and very personal look at two teenagers trying to make it big in professional basketball. The two kids in question – William Gates and Arthur Agee – are from poor backgrounds which makes the push to basketball superstardom even more effective. The film won Best Documentary at the Sundance Film Festival and for good reason – it’s one of the best sports movies ever made.
Always one for a conspiracy theory – just watch JFK to see how creative his jigsaw-like thinking can get – Olive Stone was the perfect choice to direct Snowden – a film about Edward Snowden, arguably the most prolific leaker the US has ever had. Charting his life from his cut-short army career to his desk job in the NSA, focusing on cyberwarfare, the story humanises a person who already feels like a myth and adds bones to why he decided to go against the US government and uncover a truth that included mass surveillance and more.
Steven Spielberg’s classic 1975 thriller has arrived on Netflix, telling the story of a giant, man-eating shark who likes to snack on people in New England. There was no doubt that Jaws would make our list given that it’s often considered one of the greatest movies ever made. In fact, it was the highest grossing movie of all time for a few years until Star Wars hit the scene.
Martin Scorsese’s flick Taxi Driver follows the story of a lonely veteran (played by Robert DeNiro) living in New York who becomes a taxi driver and slowly descends into madness watching the corruption and depravity of the city around him. It’s not an easy watch, but it’s a true classic and considered one of the greatest movies of all time.
It’s the movie which finally won Leonardo the Oscar and for good reason – The Revenant is a ferocious looks at mankind’s survival against the odds. And when those odds include soldiers, bears and inhospitable lands they are definitely no in your favour. Shot entirely with available light, this is a stark movie but one that demands to be seen on the biggest screen possible.
Before Denis Villeneuve was wow-ing us all with Sicario, Arrival and Blade Runner 2049, he directed Prisoners. It’s a crime thriller with a stellar cast, including Hugh Jackman and Jake Gyllenhaal, about a child abduction. You’ll be on the edge of your seat the whole time.
This crime thriller flick might not be award-winning, but boy does it keep you on the edge of your seat. Elizabeth Banks plays a woman who is sent to prison on a murder charge she denies, which leads her husband, played by Russell Crowe, to hatch a daring and detailed plan to break her out of prison.
The Stephen King renaissance continues with 1922, a movie based on a little-known short story by the horror author taken from his 2010 Full Dark, No Stars compilation. It’s an assured film with a great central performance by Thomas Jane, who plays a farmer in the 1920 who murders his wife, a crime that sparks off a strange string of events. It’s slow burning but when the horror finally creeps in it’s a tough but mesmerising watch.
American Sniper is a taut, tension-filled tale about Chris Kyle, a skilled sniper who 160 people when he was a US Navy Seal. If you can forgive the embellishing of truth to heighten drama and the fact the film offers up a one-sided view of Kyle’s ‘achievements’, American Sniper is one of Clint Eastwood’s more assured movies. It’s a troubling movie, though, one that both tries to moralise war and showcase the after effects of being in a war zone.
Ben Affleck’s directorial debut is a superb, taut thriller that’s based on every parent’s worst nightmare – the disappearance of their child. Ben’s brother Casey Affleck and Michelle Monaghan star as two detectives who take on the missing person’s case, even though they have little experience in a case of that type. Based in Boston, the film manages to showcase the heart of the city (where the Afflecks are from) as well as tell a tragic tale in the most human way possible.
Kathryn Bigelow is one of the greatest action filmmakers around, so was perfect for helming Zero Dark Thirty. Based on the hunt for Osama Bin Laden, the movie keeps the terrorist mostly in the background and instead focuses on the people who were key to bringing him to justice. No one would like to see Bin Laden caught more than Jessica Chastain’s Maya, an operative who has spent most of her career chasing him. Whatever your take on the War on Terror, this is riveting stuff.
With Twin Peaks: Season 3 currently trying to out weird the world, it’s a perfect time to immerse yourself in the delicious nastiness of Blue Velvet once more. The film is a triumph of oddness – based around a seemingly wholesome man (Kyle MacLachlan) who gets embroiled in the underworld thanks to his infatuation with a mysterious women. This is David Lynch at his finest.
Based on the amazing true tale of an FBI informant who infiltrated the highest reaches of the mafia, only to nearly be turned himself, Donnie Brasco is a mob movie like no other. Stellar performances from both Johnny Depp and Al Pacino, this is an assured gangster tale.
In what is one of the best performances in a long and varied career Michael Caine is utterly brilliant in Harry Brown – a British Falling Down, where a pensioner goes to extremes to avenge his friend’s death and battle the crime, drugs and unrule that have taken over his neighbourhood. It’s a stark tale that holds a broken mirror up to the UK’s inner city life.
To be a fan of Danny Boyle is to be a fan of movies in general – his style, flits and changes with each film he does, you’d be hard pressed to put a label on what is a Danny Boyle movie. But one thing he has with aplomb is style. 127 Hours is a tense, visceral meditation in loneliness. Based on the true story of Aron Ralston (played by James Franco), a thrill-seeker who finds himself between a rock and a hard place when he gets his arm stuck in a canyon. What ensues is a man who, through sheer strong mindedness and some DIY surgery, tries to find his way out of a terrible situation.
Antonio Banderas! Adrien Brody! John Malkovich! The cast for Bullet Head is an exciting mix of three great actors that you’d think would light up the screen with slick dialogue and electrifying performances alone, but instead Bullet Head throws them all in a warehouse that for some reason is really hard to just, walk out of, with a killer dog. And that’s the rather strange, rather ridiculous but somehow still very entertaining premise of Bullet Head. This movie ain’t gonna win any awards, but if you’re craving a bit of mindless action and drama with three familiar faces at the helm, then Bullet Head might just be your perfect movie for hangovers and lazy Sundays.
Calvary is an intense, disturbing and at some points darkly funny story about a priest in a small, rural town in Ireland who receives a mysterious death threat. While waiting to find out who the shady, would-be killer is, the priest continues about his daily business, which reveals that criminal acts, racism and domestic abuse run rife in the community. It’s whatever the opposite of easy watching is, so be prepared. But it’s a very well-made and captivating move in which Brendan Gleeson really shines as the protagonist priest.
Tragically, Green Room is now earmarked as one of the final final films of Star Trek actor Anton Yelchin. He is fantastic in this tale about a band being trapped in a club with a group of skinheads after they witness a horrific murder. It starts off slow but once the events happen, the film ratchets up the tension to almost breaking point.
One of the first movies to be made under the Netflix banner, Beasts of No Nation sees Idris Elba on fine form as a commandant fighting in a civil war. But the biggest praise has to go to Abraham Attah’s Agu – a boy soldier caught in the fighting. Directed by Cary Joji Fukunaga – who made the first season of True Detective the masterpiece it was – this is a harrowing but great watch.
Gillian Flynn’s twisty novel is perfect fodder for director David Fincher. It’s dark, almost without a moral compass and probes into the dark recesses of the human condition. Ben Affleck is superb as Nick Dunne, the grieving husband whose wife has disappeared. But it is Rosamund Pike who deserves all the accolades – her portrayal of ‘Amazing’ Amy is something of a roller coaster.
Fargo is the perfect Coen Brothers film. Funny enough to make you chuckle, it’s also filled with some ridiculously dark moments, most of which involve Steve Buscemi’s bumbling hitman and William H Macy as the cowardly corrupt Jerry Lundegaard. The star of the film, however, has to be Frances McDormand’s heavily pregnant, inquisitive and just darn tootin’ nice detective.
Brian De Palma is a magpie filmmaker. His style apes that of his hero, Alfred Hitchcock, and he loves to make remakes. Blow Out is one of his best. A re-imagining of the seminal ’60s film Blow-Up, De Palma moves the action from London to the US and focuses on sound not photography as Travolta stars as a sound effects producer who believes he has caught a real murder on tape.
Also consider: Carlos The Jackal | The Purge: Anarchy | Gone Baby Gone | The Spy Who Came In From The Cold | We Need To Talk About Kevin | The Parallax View | Rear Window | Serpico | Natural Born Killers
The ultimate romantic film? Perhaps. It’s definitely one of the best watches you are likely to have. When Harry Met Sally is an all-time classic, brimming with confidence that only comes when you nail the acting, script and direction. Sally is played by Meg Ryan, someone who has been friends with Harry (a pristine Billy Crystal) for years but lost contact. They meet up again, when their lives are a little different, and the rest is history. Rob Reiner does a fantastic, subtle directing job here but top marks go to the script by the late Nora Ephron.
“Woo-ha!” Or “Hoo-hah!” However you want to say it, Al Pacino coining that wonderful Al Pacino phrase is just one of the many highlights of Scent of a Woman. It’s a fantastic film about a blind army officer and his relationship with his helper Chris O’Donnell. Featuring an early appearance from Philip Seymour Hoffman, O’Donnell’s best role – yes, even better than Robin – and a brilliant central role from Pacino whose acting (and tango) earned him an Oscar, this is unmissable old-school cinema.
Director Damian Chazelle (Whiplash) does it again with La La Land, creating a fantastic musical romance about two creatives trying to make it big in Los Angeles. One is an aspiring actress (the fantastic Emma Stone), while the other (Ryan Gosling) is a jobbing jazz musician hoping for his big break. The song and dance routines are a wonder to watch, but this isn’t just a film that relies on gimmickry – it’s a well told modern day love story.
Yes, it was made to capitalise on the huge success of Indiana Jones, but this is no rip off. Directed by the brilliant Robert Zemeckis and blessed with two of the most charismatic stars of the 80s Michael Douglas and Kathleen Turner, the movie is an absolute blast. It’s a film about a romance author who heads to Columbia to find her kidnapped sister, only to find herself face to face with an adventurer Michael Douglas. With equal measure action and comedy, Romancing the Stone is full of the fun only a rock-solid 80s flick can muster.
If you’re looking for a feel-good movie this weekend, check out About Time. It’s a genre-defying film that’s about time travel, romance and has a big helping of laughs thrown in for good measure. Domhnall Gleeson plays a man who finds out he can travel through time, so decides to go and win the woman of his dreams. But, as with all time travel tales, things aren’t as straight-forward (and not-to-mention chronological) as they seem.
If you can forgive the ending – there was definitely room for Jack on that raft – Titanic is one of the best, and certainly most epic love stories. The sinking of the Titanic plays second fiddle to the romance of Jack (Leonardo DiCaprio) and Rose (Kate Winslet), two lovers from different social groups that end up on the illustrious liner, the Titanic. Yes, it’s overwrought and melodramatic, but it’s still one helluva watch.
Wes Anderson’s quirky directing is a perfect fit for Roald Dahl’s Fantastic Fox. Lovingly crafted using stop animation that’s voiced by Anderson alumni, and George Clooney, the film works well as a kids animation, but it’s adults that will get the biggest kicks. Director Anderson is going back to stop animation for his next feature – let’s hope it’s half as good as the fantastic Fantastic Mr Fox.
Charlie Brown and his dog, Snoopy, are iconic cartoon characters, and in this new computer-generated film, which was co-written and co-produced by Charles Schulz’s son and grandson, is a brilliant continuation of that legacy, pleasing existing fans and winning over new ones in a tale that sees Charlie Brown try to impress Little Red-Haired Girl. It’s the first Peanuts feature film in 35 years, but the wait was worth it.
Yes it may be from the late 80s and nowadays robots should like more like the Westworld hosts rather than a big ol’ pile of junk, right? But Short Circuit 2 is still an enjoyable sequel for the whole family.
It’s about Johnny Five, a sentient ex-military robot who is trying to help a robot inventor who is in some hot water with a bunch of bad guys.
It’s not going to win any awards for the story or the acting or anything else, really, but if you want to introduce your kids to fictitious robots from times gone by, this is a fun weekend watch.
This movie may have not performed particularly well at the box office when it was first released, but it’s still a magical movie suitable for all the family. It follows the story of Alice years after she first ventures down the rabbit hole. She’s spent years at see and this time finds her way back to Wonderland when she comes across a magical looking glass. When she arrives she quickly embarks on a mission to save the Hatter, who is acting madder than ever.
Are remakes always a bad idea? On paper the 2016 The Jungle Book sounds like a recipe for a dud. It’s a new take on the Disney 1967 animated The Jungle Book, but with less music and more CGI. However, it also fills out the story’s world and adds more backstory for protagonist Mowgli. And, guess what, It works.
The BFG is brought to (larger than) life brilliantly by Stephen Spielberg and the acting talents of Mark Rylance. While the film may be a little too slow for younger viewers, it’s a mesmerising watch. Full of the scatological humour of the book, but also slathered in beautiful imagery that blends the real world and CG seamlessly. Spielberg has done wonders to bring Roald Dahl’s big classic to the big screen.
Directed by Katsuhiro Otomo, who made the greatest Anime around Akira, Steamboy is a superb Victorian-London infused tale about a young inventor who has to do everything he can to make sure his granddad’s inventions don’t fall into the wrong hands. It looks amazing, but is sometimes let down by its storytelling. It’s definitely worth a watch, though, even if it does get a little too silly.
Roald Dahl’s greatest book, Matilda, is given a great adaptation, thanks to director and star Danny DeVito. While brilliant at playing one of Matilda’s awful parents, it’s his direction that’s key here – weaving together hyperreal imagery, a faithfulness to the book and the right balance of comedy and unpleasantness.
Muppet madness ensues in The Dark Crystal – yet another classic brought to life by the majesty of Jim Henson and his puppet creations. It may not be as loved as Labyrinth but it’s still a brilliant children’s tale about the search for a crystal that once brought balance to the world.
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